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A
student of Philomé Obin, Casimir began painting
in the late 1950s. He soon despaired of making a living from his art and
moved into a variety of jobs — for a time he ran a beauty parlor —
painting little and only in his spare time. |
| According Galerie Metisse, Joseph was born in the Artibonite, is a Roman Catholic priest, and began submitting works to the Centre d'Art as early as 1977. He's said to be self–taught; his delicate stroke and muted colors certainly have little in common with the Artibonite school. Gracia Joseph is listed and illustrated in Eva Pataki's book (see Reading). |
![]() 116. 'La Indienne' c1988 (39x13) |
![]() 137. Stag and Zebra_ c1992 (40x20) |
![]() 153. Bear with Backpack c1995 (47x17) |
Jasmin
Joseph
is the leading allegorist among Haitian painters. Born in Grande Riviére du Nord, Joseph went to the Centre d' Art in 1945 as a sculptor. By 1950 Dewitt Peters had persuaded him to focus on painting. He soon added two murals to the famous group in the Episcopal Cathedral. A lay preacher, the militantly Protestant Joseph often infuses his paintings with a moralistic meaning, though no Christian themes are evident in these three. His works are much prized by Haitian art collectors. He is fun and more: he is among the finest of Haitian artists. |
| Nothing known; just liked it. So far as I know, no one has called Roland Joseph 'the new Hyppolite,' though the thought occurred to me as I bought this work. |
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