19. Cabaret_
c1974 (24x30)


51. Marché
c1979 (20x24)


141. Vendeuse de mais
c1991 (24x30)

   Wilson Bigaud is another of Haitian art's big names. 
   He was discovered by Dewitt Peters as early as 1946; he studied with the legendary Hector Hyppolite, for whom he mixed paints. In 1950 one of the then teenager's works — a Paradise terrestre similar to the one right and below — won second prize at an international exhibit in Washington, D.C.; it is now in New York's Museum of Modern Art. The same year he completed his Marriage at Cana, one of the finest of the famed Episcopal Cathedral murals.
   Bigaud does mostly scenes of everyday life. If not so technically polished — as, say, the works of Yves Michaud — they are both imaginative and highly distinctive. Anyway, unlike Michaud, Bigaud is a 'primitive.'
   Two of Wilson's many other renderings of Paradise, the subject of his 1950 master-piece, may be seen by clicking on the thumbnail (right). The artist has, as well, often painted market scenes similar to Marché and Vendeuse as well as carnaval revelers — including himself — in costumes much like those in Groupes de carnaval. There are usually, however, subtle differences: no two I've seen are exactly the same. (Many other artists, including some who are both accomplished and celebrated, do make almost exact copies of their own work — over and over and over again.)
   Having suffered from acute depression most of his life — a condition that may be reflected in the haunted eyes of many of his figures — Bigaud endured a series of nervous breakdowns between 1957 and 1961. His work did not pick up again until the mid–'60s. Though nothing he has done since has matched the masterpieces of his youth, everything Wilson Bigaud does is interesting.