![]() 120. Noah's Ark_ c1989 (20x24) |
A
barber and gas station owner before studying with Philomé Obin
in 1951, Chéry is a special case. He has produced masterpieces: a Mother and
Child is in the permanent collection of New York's Museum
of Modern Art — and another that I foolishly asked a friend to buy and
send to me. (She kept it.) Chéry has also done outstanding historical and daily life
scenes. |

143. Wedding Procession
c1995 (24x48)
| An Historical Note | |||
|
In early 2006
Nader's gallery
(see Links) had 20x24 versions
of the appearance to these. |
The
four generals idealized in the 8x10 Chéry works (at left) led the only
successful slave revolt in history. They defeated the French,
causing Napoleon to abandon his plans for an empire in the Americas
and to sell Louisiana to Thomas Jefferson and the new United States. (At Southern slaveowners'
insistence, the U S refused to recognize Haïti's independence until the
administration of Abraham Lincoln. Latin Americans were no better: see
Casimir
Joseph.) He also had the foresight to recognize that Haïti could not prosper on subsistence agriculture. He mandated the preservation of the large plantations developed by the French, but with blacks paid as free workers. Economically the idea made sense; it made no sense to the masses of recently freed slaves.
As the French
were losing, they awarded Toussaint a general's baton (hence the tricoleur
bonnet in Chéry's painting). Bonaparte's agents soon tricked Toussaint into attending a peace
conference; kidnapped him; and sent him to France in chains. He died in
a freezing Jura Mountains dungeon of starvation and physical abuse.
|
|
n
Alexandre Petion, the only mulatre
of the four. He became president of a 'republic' at first confined
to the south, then extended over the whole country. Some hold that, by
allowing ex–slaves to break large plantations into tiny holdings, he
set Haïti on the course to its present–day poverty. But Petion's 'land
reform' was a lot more popular with peasants than the virtual serfdom that
accompanied the maintenance of large holdings in the rival northern realm. (It
was a gargantuan indemnity exacted in 1825 by the French government —
for the land and human 'property' their citizens had 'lost' — that finally crushed the brave
little country's economy.) ____________________ (Chéry's renderings are both more cartoonish and less imaginative than Sully Obin's, which more clearly distinguish the generals.) |
Home | List of Artists | e-mail: ned_hopkins@msn.com | Reading | Links